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POETRY ︎
Picturing, a book of poems by Jory Mickelson
$80 CAD
Jory Mickelson is the author of two other books of poetry--All This Divide and Wilderness/Kingdom, winner of the 2020 High Plains Book Award in Poetry. They are the recipient of fellowships from the Lambda Literary Foundation, The Desert Rat Writers Residency, the Helene Wurlitzer Foundation of New Mexico, and the Sitka Center for Art and Ecology. They live and write in the Pacific Northwest.
Paperback, printed and bound by Coach House Press on 70 lb Zephyr Laid paper.
ISBN 978-1-7381784-2-1
Do you see? Every time I attempt to close
there is a new gate we must pass
through. In every story, there comes
the point I can see no further given the line
will never finish
there is a new gate we must pass
through. In every story, there comes
the point I can see no further given the line
will never finish
“I believe the desire to create pictures, David Hockney states, “lies deep within us.” This sentiment is paired with the experience that most of us derive a deep pleasure in looking, beholding, and seeing. And in being seen, truly known. If nothing else, we are deeply visual creatures. Vision is a primary sense and a principal way of making sense of the world.
How we picture is akin to how we perceive and interpret, determining the nature of our experiences and, therefore, the very quality of our lives. Hockney affirms that the history of making images is less about representation and more about how we see.
In this collection of poems, Mickelson re-imagines what words a history of images contains and draws out the desire to be taken in whole and laid bare.
Praise for Picturing:
“If / pleasure is an ending, then surely we are / joined,” Jory Mickelson writes, in Picturing, where the viewer melds with the art, the gaze moves between and beyond, exposing a sorry inside desire’s hinge. From Marilyn Monroe to Icarus, Paul Cadmus to “the angel’s ruffling wings,” these poems shift the lines between longing and conquest, childhood and history, an open wound and a painter’s caress. Reveling in beauty and damage, this is a book that sings and singes.
Mattilda Bernstein Sycamore, author of Touching the Art and The Freezer Door
FICTION ︎
Prétend, a novella by Arielle Burgdorf
Prétend follows a young translator from Montreal whose name and identity are in constant flux. Our protagonist begins the story as Jean, a woman trapped in an abusive marriage to a dangerous man named Konstantin. Isolated and alienated in London, Jean soon becomes John, and her relationship with Konstantin starts to unravel when he asks her to translate his poems from Russian. After she begins to uncover some of Konstantin’s deceits, she agrees to meet a reclusive artist in Canada named M., and leaves Konstantin, becoming Jeanne upon her return to Montréal.
Working with M. on a new translation is magical and restorative for Jeanne, as she learns for the first time in her life what it might be like to have a translator-author relationship free of dated ideas on fidelity, domination, and the invisibility of the translator. Jeanne also starts to realize she has feelings for M. and wants more than just a business relationship together. But M. has a secret too, and just when it comes to light, Konstantin lands in Montréal and creates chaos. Jeanne uncovers Konstantin’s biggest secret and becomes determined to expose him, forcing him to leave her alone once and for all—but will he give in so easily? And will she find a way to work things out with M., or leave Montréal behind for a new city and a new identity?
$80 CAD
Arielle Burgdorf is a writer originally from Washington, D.C. They received their MFA from Chatham University in Pittsburgh where they taught in the Words Without Walls program at Allegheny County Jail. Their writing and translations have appeared in Lambda Literary, Broken Pencil Magazine, Exilé Sans Frontières, Maximum Rocknroll, and elsewhere. They are currently pursuing a PhD in Literature at UC Santa Cruz focused on queer and feminist experimental writers from Québec.
Paperback, printed and bound by Coach House Press on 60 lb Rolland Natural paper.
ISBN 978-1-7381784-1-4
Praise for Prétend:
“[Burgdorf] has written a clever, sexy, moving & playful novel about literary translation, control, language, & selfhood.”
Jen Calleja, translator, publisher at Praspar Press and author of Vehicle, Dust Sucker, and I’m Afraid That’s All We’ve Got Time For
“As its protagonist cycles through names, cultures and countries in a journey of self and soul, Burgdorf’s passion for language itself is a beautiful lodestar, a letimotif woven into the fabric of the story. Like a knife to a whetstone, Prétend gives off sparks.”
Alex Manley, author of The New Masculinity and translator of Made-Up
POETRY ︎
A/An, a chapbook by Mandy Gutmann-Gonzalez
$70 CAD
Mandy Gutmann-Gonzalez, a Chilean poet, novelist, translator, and text-based artist, is the author of the novel La Pava (Ediciones Inubicalistas). They teach creative writing at Clark University.
Paperback, printed and bound by Coach House Press on 70 lb Sephyr Laid paper, typeset in Sabon, 12 pt.
ISBN 978-1-7381784-1-4
Praise for A/An:
“Archival and speculative, Mandy Gutmann-Gonzalez’s A/An is a revisioning of the Salem Witch Trials into a portfolio of court ephemera, converging them thematically despite and through its divergent forms. It’s precisely what we haven’t escaped of the Trials that blooms here: the spectacle of adjudication, the self-righteousness of the law and legibility, coloniality’s self-exception. Sovereignty is haunted: an invisable hande pushes us forthe. Gutmann-Gonzalez deftly summons the past and present’s continuity through this possible lyric alternative. A/An is a distillation, a reduction, a tincture of the ever-renewable past. Handle cautiously--this is yr book.”
Jos Charles, author of feeld, a Year & other poems, and Safe Space